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Thread: A tribute to Graf Goertz

  1. #1
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    A tribute to Graf Goertz

    Yesterday November 3rd the designer of the most beautiful BMW ever produced has passed away. Albrecht Graf Goertz did not provide many designs to the automotive world, but the 507 stands out as a masterpiece. Has other major claim to fame was the Datsun 240Z, to which he also contributed. Another field of activities was the Puma sportswear.

    As a tribute to Graf Goertz herewith a small gallery of the 507, pictured during the 2005 Villa d'Este weekend.
    Attached Images Attached Images
    Last edited by henk4; 11-04-2006 at 08:36 AM.
    "I find the whole business of religion profoundly interesting, but it does mystify me that otherwise intelligent people take it seriously." Douglas Adams

  2. #2
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    And with him, much of the beauty of the automotive world dies. RIP.
    I'm going to eat breakfast. And then I'm going to change the world.

  3. #3
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    Wow, was this the car the inspiration for the Z8?

    Anyway, both of those cars were very beautiful. RIP.

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    You honestly think that the 507 is the most beautiful BMW? Henk4?
    it was actually me who killed vasilli zaitsev, heinz thorwald, carlos hatchcock, and simo hayha

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    Quote Originally Posted by blingbling
    You honestly think that the 507 is the most beautiful BMW? Henk4?
    we all think so, don't we?

    RIP Mr Goertz
    12 cylinders or walk!

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    Here's a bit of a biography of the man himself from BMW World...
    Quote Originally Posted by BMWWorld.com
    Albrecht Graf von Goertz, who designed the BMW 507 sports car in 1955, was born on January 12, 1914, the second son to an aristocratic family in Germany. His parents were Else and Rudolf Graf von Schlitz gen. von Goertz und Freiherr von Wriesberg. Albrecht and his two siblings grew up on their parents' estate near Brunkensen (Lower Saxony), about 40 kilometers south of Hanover. At the age of five, he discovered a passion for cars that would last all his life. Goertz began designing cars from his youth-he still has some of these early sketches.

    After attending school, the young Count started an apprenticeship with the Deutsche Bank in Hamburg in 1933. Within one year, he switched jobs and went to the London-based private bank Helbert Wagg & Co. Unfortunately, his prospects in Europe were not very promising. In 1935, Goertz applied to the American embassy at Grosvenor Square for an entry visa to the USA. In the autumn of 1936, he left Europe for New York City.

    A distant relative in New York helped him when he first arrived, but soon the young Count relocated to Los Angeles. To earn a living, Goertz worked at a car wash, in a factory for aircraft engines, and at a flight service. The car aficionado watched with great interest the emerging Hot Rod era and grasped the opportunity in 1938. Goertz rented a garage and showroom located on Rodeo Drive and began to modify Ford Model A and B models. On a Mercury chassis, he built his first car, the curvy "Paragon" which was a two-door coupe with rear wheel trims and unconventional rear side windows. Goertz convinced many to exhibit this car at the World Exhibition in San Francisco in 1939.

    In 1940, Goertz stepped aside from his fascination and served in the army for five years. When he returned to Los Angeles, he took the Paragon out of the garage, made all the necessary travel arrangements and headed for New York once again. This would bring about a fateful turn of events that would soon change everything for the young Count. In the parking lot of the world-famous Waldorf-Astoria hotel, Goertz recalls, in his own words, what had transpired: "There was a strange car in front of me, so I got out of my car to have a look at the other car and the man sitting in it got out to have a look at mine. This man was Raymond Loewy, a renowned designer". Loewy invited Goertz to his office, sent him to a design college and gave him a job in the Studebaker studio in Indiana shortly thereafter.

    The Count, who had worked for three famous designers by 1953, soon set up his own design business. Through his contact network, he got to know Max Hoffmann, BMW's general importer in America. Hoffmann knew of BMW's plans to build a big sports car and encouraged Goertz to contact BMW in Munich. Goertz sketched an awesome vehicle and quickly won the bid. In less than 18 months, he designed the BMW 507, the car that celebrated its world premiere in the New York Waldorf-Astoria hotel in 1955. At the same time, Goertz designed an elegant coupe that was also available as a convertible: the BMW 503. This four-seater debuted with the BMW 507 at the 1955 Frankfurt Motor Show, where both automobiles caused a sensation. Even today, the BMW 503 and the BMW 507 are considered absolute dream cars. Sporty, elegant and also cultivated, they represent the core attributes of a BMW car.

    These designs had a leverage effect on Albrecht Graf Goertz's career: above all, Japanese car manufacturers were frequent visitors to his New York design studio. Sports cars, which enjoy world-wide success, as well as items of everyday life (such as jewelry and furniture) bear his mark. The Count still has a penchant for car design and has retained his restless spirit to this very day: "I have always been curious and on the lookout for countries that offer opportunities, countries where I have no cause for complaint".

    Albrecht Graf Goertz has other significant design credentials. After his design of the BMW 507, he worked with the Porsche team on the 911.

    Next, Dr. Goertz offered his services as an automotive design consultant to, and was in turn contracted by, Nissan Motors of Japan in 1963. His first assignment at Nissan was to work on a Sports Coupe based on the Fairlady 1600 chassis. The project had been started, and it was given the model designation of CSP-311 and named the Silivia 1600 Sports Coupe. Introduced at the Tokyo Motor Show in 1964, it was also shown at the New York Motor Show in 1965.

    Dr. Goertz was then assigned to consult with a Nissan team working on a sports car for the U.S. market. Nissan had a joint development agreement with Yamaha on this project. Yamaha was to develop the engine for the car as well as build the full size metal prototypes.

    When Yamaha's efforts, related to the design of a 2.0 Liter engine for this car did not meet Nissan's expectations, the project was shelved at Nissan. A metal prototype of that design was built by Yamaha. Dr. Goertz and Yamaha took the project to Toyota, and the result was the building of the Toyota 2000GT.

    Dr. Goertz is credited with helping the Nissan design team establish design parameters related to the physical size and configuration of the Z Car. In fact, Dr. Goertz is considered the "Father of the Z Car" by "Car and Driver" magazine.
    And a pic of the man himself with his most famous creation...
    Attached Images Attached Images
    uәʞoɹq spɹɐoqʎәʞ ʎɯ

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    Quote Originally Posted by blingbling
    You honestly think that the 507 is the most beautiful BMW? Henk4?
    Without a doubt.
    I'm going to eat breakfast. And then I'm going to change the world.

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    Quote Originally Posted by NSXType-R
    Wow, was this the car the inspiration for the Z8?
    Are you serious? It was widely publicized and purposely acknowledged by BMW for the duration of the Z8's life.
    I'm going to eat breakfast. And then I'm going to change the world.

  9. #9
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    Quote Originally Posted by blingbling
    You honestly think that the 507 is the most beautiful BMW? Henk4?
    sure, the rest is just like your username....
    "I find the whole business of religion profoundly interesting, but it does mystify me that otherwise intelligent people take it seriously." Douglas Adams

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    Sad news indeed.
    Albrecht Graf Goertz certainly wasn't one of the most productive car designers, but without a doubt one of the best.
    A few pics of his other BMW creation - the 503. Not a beauty, but I like it for some reason.
    Attached Images Attached Images
    It's not denial. I'm just very selective about the reality I accept.

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    Maybe this will bring light to the overlooked 503? Truly a great design on the 507, hop he enjoyed his life.
    The wind that blows in the Andes.

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    How has no one mentioned the Toyota 2000gt?

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    Quote Originally Posted by bruxell
    How has no one mentioned the Toyota 2000gt?
    maybe because of this

    http://www.ritzsite.net/Archive/0407.htm
    "I find the whole business of religion profoundly interesting, but it does mystify me that otherwise intelligent people take it seriously." Douglas Adams

  14. #14
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    Quote Originally Posted by bruxell
    How has no one mentioned the Toyota 2000gt?
    Because 2000GT was designed by Satoru Nozaki IIRC.Goertz only designed the early prototype for Datsun, that later became the basis of Toyota's design.
    It's not denial. I'm just very selective about the reality I accept.

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