
The Second World War intervened with the ambitious young Lancia's plans, but as soon as the hostilities ceased the work continued. He had hired legendary designer Vittorio Jano firstly to design a new saloon, but also to set up racing program. The first sign of the new direction was the Aurelia launched in 1950, which featured independent suspension all-round and a very compact V6 engine. A year later the competition version of the Aurelia debuted complete with a powerful 2.5 litre version of the V6 engine. The Aurelia B20 GT was the very first Lancia racing car in the 45 year history of the company, but proved to be immediately successful with class wins in many major rallies and also at Le Mans between 1951 and 1954. Inspired by the success of the Aurelia, work was started on a completely new racing car that could challenge for overall wins. For this project Jano's vast experience at Alfa Romeo and Fiat proved to be vital as he designed a state of the art competition special. Dubbed the D20, the new racing cars were ready for the 1953 Mille Miglia. With the exception of the engine there was little that the new racer shared with the Aurelia and even that was extensively revised. The displacement was increased to three litres and the central mounted camshaft was replaced by chain driven double overhead camshafts. Performance of the V6 was quoted at 245 bhp. The powerplant was installed in a tubular spaceframe chassis, which was suspended independently by wishbones at the front and back. One of the most unusual features were the inboard mounted brakes, designed to lower the unsprung weight. As with the Aurelia, coach-builder Pinin Farina was responsible for the design and construction of the lightweight coupe bodies. Four cars were completed in time for the Mille Miglia debut and against very strong competition one of them managed to finish in third position. For the 24 Hours of Le Mans the engines were fitted with superchargers to bridge the gap to the larger engined Jaguars and Ferraris. This proved to be disastrous move as it proved to be fatal for the reliability and all cars entered were forced to retire. Some drastic changes were carried through as both the superchargers and the coupe bodywork were discarded. Now sporting open bodies also by Pinin Farina, the cars were renamed D23. While the D23 scored a victory in the Lisbon Grand Prix, Jano was already hard at work building a lighter, nimbler and more powerful replacement. The displacement was further increased to just under 3.3 litres, which saw the output increase to 265 bhp. The handling was improved by slightly decreasing the wheelbase and by the installation of an advanced DeDion rear axle. Complete with a further revised Pinin Farina Spyder body, this D24 had a disastrous debut at Monza and it did not get much better at the Nurburgring. At the 1953 Carrera PanAmericana there was a spectacular turn-around for the Scuderia Lancia as the D24s filled the first three spots at the finish. For eleven hours the 1954 season looked set to start with a Sebring 12 Hours win, but engine failure saw the advanced retire from first position. Nevertheless, it was a sign of things to come as the D24 scored a series of victories with wins in the much coveted Mille Miglia and Targa Florio road races as highlights. Unfortunately the sportscar program was abandoned in favour of an even more ambitious Grand Prix program with the even more advanced D50. Gianni Lancia's ambitions brought him the much desired victories, but the spiraling costs also brought his company on the edge of bankruptcy. He was forced to leave Lancia and to prevent the company from going bankrupt, the complete Grand Prix program was sold to Ferrari. In 1956 Juan Manuel Fangio drove a modified (Ferrari)-Lancia to the Formula 1 world championship. Lancia did survive and many years later returned to racing with the very successful Fulvia, Stratos, 037 and Delta rally racers. Featured is one of of the four Lancia D23s built and raced in 1953. One of the rare survivors of Lancia's 1950s racing program, it was owned for many years by Peter Kaus and displayed in his Rosso Bianco Museum. Late in 2005 the entire collection was sold and today the car is on permanent display at the Louwman Collection Article by Wouter Melissen, last updated on 12 / 10 / 2007
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